By Frithjof Schuon
This version of popular thinker Frithjof Schuon's writings with reference to artwork, chosen and edited by way of his spouse Catherine Schuon, includes over 270 photographs-200 colour and 70 black and white. Keith Critchlow writes, "This appealing booklet . . . has the broadest assurance of any of the books on paintings that this author has visible in 40 years of educating artwork and architecture." Frithjof Schuon, the major consultant of the traditionalist institution of suggestion, offers the common rules and standards with which to figure sacred from profane paintings, and standard from basically "religious" paintings. He then bargains with the religious importance of the creative productions of Christianity, Islam, Hinduism, Buddhism, and the Far-Eastern global. additionally lined are the themes of good looks and the experience of the sacred, the crafts, poetry, song, dance, costume, and atmosphere.
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Additional resources for Art From The Sacred To The Profane: East and West
Hurry up. 50 francs to draw per person which is quite good. If you cannot find Portier, our manager, go to 54, rue Lepic where he lives. Or else I shall draw it for you. I spoke to Caillebotte about the journal, he is willing to guarantee it for us. Come and talk it over with me. No time to lose! This morning I went with Prunaire, the wood engraver, you must know him, to see a certain Geoffroy, a famous phototyper, rue Campagne Premiere. A strange man, an inventor with bad eyes. We must be quick and make the most of our gains boldly, boldly above the poor world.
They talk of little but the super tax on houses, and they give Mr Thiers experts’ advice on republicanism. Goodbye, your proverbs are nearly as abundant as those of Sancho; given his gaiety you would increase them threefold. How healthy a thing is laughter, I laughed at them a lot. It is true, my dear Frølich, one feels young in spirit. That is what David said in Brussels on the eve of his death. But enthusiasm, good humour, and vision, one is bound to lose a little of these. You are in a better way than I am.
The Pretty Women of Paris lists ninety-nine brothels within central Paris and a further seven in the suburbs. The 183 women described individually in the book all worked independently of brothels, however. Fanny Robert, for example, started her career in a brothel in Marseilles, but was ‘rescued and brought to Paris by a rich lecher’. ’ The life of a registered prostitute in a licensed brothel must have been a tough one. Apart from the drudgery of the work, the women were subject to regular medical inspections and other petty and humiliating restrictions.